Some Challenging
Locations !
Click
on pictures for a larger view
Page 1
The London Ale House
After doing larger venues for
two years, Witness decided to return to the freshly remodeled London Ale
House for the summer. This provided some massive challenges for our
crew, especially regarding lighting. We actually ended going down for a
planning session during the winter to figure out how we would do the
next summer.
Lighting
With a nine foot
ceiling above the stage, using 30 to 40 thousand watts of light would be
a problem as it would block the view of the stage as well as wreck the
appearance of the restaurant during the day. The answer was to put the
lighting grid, dimmers, power distribution and cabling on the real
ceiling which was 14 feet off the ground. We then removed all ceiling
tiles that blocked lighting and replaced them with Plexiglas panels! The
result was a clean look that still provided the lighting fans had become
accustom to.
By hiding a concert light show
in a club, we could pull off many of the same effects we used in larger
venues:
Sound Sound
was no less challenging. We decided to put the main speakers against the
wall, instead of at the front of the band. This sounds simple but is
actually very tricky as the onstage microphones are now in front of a
wall of sound that they have to be isolated from! The answer there was
to go to extreme lengths to equalize both the system, and all 28
independent channels so that no feedback would occur. This was only
possible due to the fantastic talent of John Higgins our sound engineer.
It required a very active mix to insure nothing got out of
control.
Below are pictures taken with a power flash that show some
of the solutions we came up with. (1983)
Here are some screen captures of
what things looked like at night, featuring Eric Rudy 1985 (Sorry, small
photos only due to video capture)
|